Atomos Shinobi 7 RX 7in Monitor & Receiver w/ Camera Control

About: Atomos Shinobi 7 RX 7in Monitor & Receiver w/ Camera Control

Shinobi 7 RX combines a larger 7-inch HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of Shinobi. Can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or HDp60 via 3G-SDI. Take control of Canon, Fujifilm, Nikon, Panasonic, and Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to serial cable. The addition of Wi-Fi connectivity provides a stable link between the Shinobi 7 RX and the TX component of Atomos’ TX-RX wireless video system, or a RTSP H.264 stream. An ideal director’s monitor, focus puller’s monitor, program or preview display for video switchers. 

• 7-inch HDR screen with a peak brightness of 2200nits
• Professional monitoring tools include EL Zone/ARRI false color, histogram, waveform, zebra, focus peaking
• HDMI / 3G-SDI input and output
• Camera control over USB-C (see website for supported models)
• Touch to focus (see website for supported models)
• Integrated 5G Wi-Fi for low latency (<60ms) receive from Atomos TX
• Stunning 10+ stops of dynamic range in real-time from Log/PQ/HLG signals
• Dual NPF battery slots

Camera Control

Using intuitive, on-screen sliders you can adjust white balance, lens aperture, shutter speed/angle and ISO. A red edge display indicates when the camera is recording internally, whether triggered by the camera or from the Shinobi II or Shinobi 7 RX. Both models can control most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras over USB-C, and all Z CAM E2 series models (LANC cable required, purchased separately).

Touch to Focus

Tap the Shinobi II or Shinobi 7 RX touchscreen to have the camera automatically focus on your point of interest. Touch to focus takes advantage of camera focus modes such as focus tracking for effortless control and sharp images. Available with compatible cameras only.

Wireless monitoring

The integration of Wi-Fi connectivity provides a stable link between the Shinobi 7 RX and the TX component of Atomos’ TX-RX wireless video system, or any external RTSP H.264 source.

Choose the right Shinobi for the job

• Content creators: Shinobi GO is Ideal for content creators / vloggers who need a bright, lightweight field monitor for a DSLR or mirrorless camera; social media filmmakers who shoot vertical/horizontal content for YouTube, TikTok, or Instagram; also travel filmmakers who need a portable monitor that doesn’t add bulk to their kit. 
• Event videographers: Shinobi II is the perfect monitor for wedding, corporate, and event videographers who demand accurate exposure and focus monitoring; also commercial filmmakers using mirrorless cameras where precise color/HDR monitoring is crucial.
• Cinematographers: Shinobi 7 RX is the go-to monitor for cinematographers needing a larger display for on-set framing, composition, and HDR preview; directors / producers on set, also focus pullers looking for a bigger screen when working with shallow depth of field or complex rigs. 

Professional monitoring tools at your fingertips

All Shinobi models offer a comprehensive suite of monitoring tools, all with simple one-touch operation, for focus, framing, and exposure. Tools include focus peaking, zoom (4:1, 2:1, 1:1), zebra, false color (Atomos, ARRI, and EL Zone colorized exposure modes), frame guides, SMPTE safe areas, grid markers, waveforms, an RGB parade, vectorscope, multi-view analysis, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads via SD card). Shinobi II and Shinobi 7 RX provide anamorphic de-squeeze monitoring (2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x) to correct the ratio for anamorphic lens setups.

EL Zone

All Shinobi monitors support EL Zone, a professional false color exposure tool that helps you see exactly how bright or dark different parts of your image are. Unlike traditional false color systems that use rough IRE ranges, EL Zone assigns specific colors to exact exposure values—based on stops of light, in the same way your camera sees exposure. It’s a precise and consistent way to expose your image correctly every time.

LUTS

All Shinobi monitors receive LOG signals from the camera and offer real-time LUT (Look-Up Table) preview to approximate what the final graded image will look like in Rec.709. Custom LUTs (.cube files) can be loaded from an SD card and used in conjunction with the Shinobi’s built-in monitoring tools for precise exposure control.

Crisp, bright, true-to-life display

• High brightness: Both Shinobi GO and Shinobi II have 1500nit screens, which are both perfectly fine for daylight shooting, although in direct sunlight you may still need a sun hood (purchased separately). Shinobi 7 RX has a super-bright 2200nit screen, which makes it daylight viewable, even under harsh sun.
• High Dynamic Range: You can view 10+ stops of dynamic range from Log/PQ/HLG signals. Shinobi’s unique HDR monitoring features help you simplify the complexities of shooting Log and HDR, because it is possible to replicate post-production workflows when it matters most – while you are shooting.
• High fidelity: Calibration is the key to a trustworthy monitor. Shinobi II & Shinobi 7 RX monitors can be calibrated with Calibrite Display Pro HL / Plus HL probe, and using the Atomos Calibrator app, for ongoing accurate HDR and Rec.709 monitoring. Accurate monitoring ensures reliable results.

7-inch: see the bigger picture

Shinobi 7 is a bright, 7-inch professional monitor that makes it easy to see your shots, even in direct sunlight. With both HDMI and SDI connections, it works with everything from mirrorless cameras to high-end cinema rigs.

• SDI & HDMI in/out: Shinobi 7 RX includes both HDMI 2.0 and 3G-SDI connections, which means it can be used with a much wider range of cameras and professional workflows, from indie films to big productions.
• USB-C: All Shinobis have a USB-C port, which can either be used to power the device or, in the case of Shinobi 7 RX, to control a compatible camera, or connect an external calibration device.
• Dual battery slots: Shogun 7 RX has dual battery slots to give you more flexibility and reliability on set. One battery can be replaced while the other keeps the Shogun running, so there’s no interruption in monitoring.

Flexible power options

• USB-C PD: All Shinobis support USB-C Power Delivery (PD), which allows the device to be powered directly from a compatible USB-C source, including power banks, wall adapters, or hub systems.
• NP-F battery: NP-F batteries are ideal for field use—powering your monitor through extended shoots without the need for frequent swaps or complex power setups (purchased separately).
• Battery eliminator: Compatible with all Atomos monitors that accept an NP-F Sony L-Series type battery. Requires the separately available Atomos Locking AC Power Adapter to provide power (purchased separately).

Which Shinobi is right for you?

Specifications

• Physical
  • Dimensions (WxHxD): 198mm x 133mm x 39mm
  • Weight: 580g (excluding batteries and antennas)
  • Mounting Points: 1 x anti-rotation 1/4-inch top and bottom
• Environmental
  • Ambient Operating Temperature: Up to 40 degrees Celsius
• Construction
  • Body: ABS polycarbonate
  • Cooling: Passive heat sink
• Power
  • Input voltage: 6.2V - 16.8V
  • Operating power: 5.8V - 7.2V
  • Multi-function button: Power / lock screen
  • Continuous power: Via NP-F battery or USB-C PD Power
  • DC in connector: Via Battery Eliminator (optional)
  • DTAP: Up to 13W
  • USB PD IN: 45W capable, power supply required
  • USB PD OUT: Up to 13W
• Display
  • Size: 7-inch HDR screen with a calibrated peak brightness of 2200nits
  • Resolution: 1920 x 1200
  • Backlight Type: Edge-lit
  • Brightness (cdm2 / Nits): 2200
  • Panel ratio: 16:10
  • Color Gamut: Rec.709
  • Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable
• Color Pipeline
  • Gamma
    • Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
  • Gamut
    • BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • 3D LUT Display: .Cube format (17 & 33 points supported)
  • 3D LUT Down Stream: Loop out
  • 3DLUT 50/50: Yes
  • Monitoring Modes: SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT
• Video Input
  • HDMI: 1 x HDMI (2.0)
  • Locking port: N/A
  • SDI: up to 1080p60
  • Wi-Fi: Wi-Fi 6E
  • USB: 1 x USB-C 2.0/3.0
  • Bit Depth: 8/10-bit video
  • Video Chroma Subsampling: 4:2:2
• Video Output
  • HDMI: 1 x HDMI (2.0)
  • Locking port: N/A
  • SDI: 1 x 3G-SDI
  • Wi-Fi: Wi-Fi 6E
  • USB: 2 x USB-C 2.0/3.0
  • Bit Depth: 8/10-bit video
  • Video Chroma Subsampling: 4:2:2
• Metadata
  • HDMI: N/A
• Network
  • Wi-Fi: Wi-Fi 6E
• Connectivity
  • LANC: ​Yes
• Audio In/Out
  • HDMI: 2-channel, 24-bit
  • SDI: 8-channel, 24-bit
  • Headphone Out: 3.5mm headphone jack, 2-channel
• Timecode
  • Embedded: HDMI (display only)
  • Time of day: Yes
  • Reference / Genlock input: No
  • LTC: No
• Resolution & Frame Rates
  • 4K DCI: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p
  • 4K UHD: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60p
  • 2K DCI 2048 x 1080: Yes
  • 1080p: 23.98 / 24 / 25 / 29.9 / 30 / 50 / 59.94 / 60 / 100 / 120p
  • 1080 PsF: Converted to P and looped out PsF
  • 1080i: 50 / 59.94 / 60i
  • 720p: 50 / 59.94 / 60p
• Supported Media
  • SD: To update firmware and upload LUTs
  • File System: FAT32, NTFS
• On-screen Monitoring Tools
  • MultiScope Analysis View: Image, WFM, vector, histogram
  • Waveform: 3 sizes – adjustable opacity & brightness
  • Histogram: 1 sizes – adjustable opacity & brightness
  • RGB parade: 3 sizes – adjustable opacity & brightness
  • Vectorscope: 2 sizes – adjustable opacity & brightness
  • 1 x Zoom: Yes. 1:1 pixel mapping for 4K
  • 2 x Zoom: Yes
  • 4 x Zoom: Yes
  • Focus peaking: 4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity
  • Atomos False Color: Yes, with scale
  • Zebra: Adjustable threshold (50% to 105%)
  • Isolate color channel: Blue Only
  • Cine Frame Guides: Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9
  • Social Frame guides: Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2
  • Safe areas: SMPTE safe title area – 93% & 90%
  • Grid markers: 9 grid
  • Anamorphic desqueeze: 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
  • Display Flip: Horizontal & vertical
• External Device Control
  • USB-C
    • Camera control for supported cameras via USB-C. Controllable functions: Record Trigger, White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus - see Atomos website for camera model compatibility. USB-C port can also be used with external calibrators (no PC required).
  • Serial 2.5mm Jack: Calibration via optional USB to serial cable
• Warranty: Standard 1 year
  • Extended to 2 years on product registration.

What’s in the Box

• 1x Shinobi 7 RX monitor
• 1x USB-C 2.0 cable (1m)
• 2x Wi-Fi Antenna
• 2x Antenna caps
• 5x Antenna tips (black, white, yellow, green, red)
• Quick Start Guide